Masonic Articles and Essays
The Archetypal Lucifer - Part I
Bro... Jonathan Dinsmore 1o
Date Published: 10/22/2018
Freemasonry reveres the Light, which illuminates and chases away the darkness of ignorance. As a “bringer of light,” Lucifer can be a touchy subject, particularly in relation to Freemasonry. This article provides some interesting perspectives on the Archetypal figure.
Freemasonry reveres the Light, which illuminates and chases away the darkness of ignorance. As a “bringer of light,” Lucifer can be a touchy subject, particularly in relation to Freemasonry, because Masons have been erroneously accused of devil worship by various groups including conspiracy theorists. Brothers come from a variety of backgrounds, in many cases religious, and there is no official Masonic position on the existence or non-existence of Lucifer, angels, or any other theological particularity. The only commonly-held theological concept in Freemasonry is a belief in a higher power – God.
Freemasonry does have some historical crossover with individuals and groups who had various beliefs and attitudes about the idea of Lucifer. Many, perhaps most, have been religious, specifically Christian, and therefore have likely held some version of the view represented in the Bible. Others, like Manly P. Hall, seem to have viewed Lucifer more symbolically, or perhaps in a gnostic way. What can we gain from contemplating the concept of Lucifer, and its relationship to our world views?
It would serve us to briefly examine the origins of the concept of Lucifer. While many or most ancient religions had some type of “devil” or antagonistic embodiment of evil, Luciferis most commonly referenced from the Abrahamic lineage, mostly via the Christian tradition. The name “Lucifer” is derived from the Latin “Lucem Ferre” meaning “Light Bearer.”
In the King James Version (KJV) of Isaiah 14:12, Lucifer appears for the first and only time in the Bible. Here, the prophet Isaiah condemns the conqueror of Israel, Nebuchadnezzar II, comparing him to the “Morning Star” or “Venus,” which at the time was regarded by the Babylonians as having some significance in the Babylonian pantheon. The passage from Isaiah reads:
How art thou fallen from heaven, O Lucifer, son of the morning! How art thou cut down to the ground, which didst weaken the nations! [Isaiah 14:12 KJV]
When viewed in context, it seems pretty straightforward that Isaiah was using a metaphor to rebuke a fallen enemy of Israel. Throughout history, however, the verse has been taken out of context, and connected to other references in the Bible to the idea of Satan, which is a word in Hebrew that derives from “adversary.”
Who is Satan? In Hebrew, Satan is clearly different from Lucifer. In the Hebrew Bible, Satan is first mentioned in the Torah, as a reference to a supernatural being who opposes.
This passage is found in the Book of Numbers and is depicted in this painting, Balaam and the Angel (1836) by Gustav Jäger, describes Satan as an Angel of God who confronts a man named Balaam, while riding on his donkey: “Balaam‘s departure aroused the wrath of Elohim, and the Angel of Yahweh stood in the road as a satan against him.” [Numbers 22:2]
Furthermore, in the Hebrew book, the Tanakh. Satan is referenced as a heavenly prosecutor and a member of the sons of God subordinate to Yahweh. Satan is here described as an agent of God who prosecutes the nation of Judah in heavenly court; he also tests the loyalty of Yahweh’s followers by forcing them to suffer.
Thus, Lucifer and Satan have become confused and connected in the minds of most people, due in part to a misunderstanding of the passage from Isaiah, and also connecting this passage to the “Sons of God” in Genesis 6:2, although it is debatable whether these “nephilim” were truly fallen angels. Another contributor to this idea’s popularity is to John Milton’s poem Paradise Lost, which described the mythical event of Lucifer’s angelic rebellion. Later, the idea of the rebellion and fall of a portion of the angels as a much older concept in the Hebrew traditions was given some further support by the discovery of the Book of Enoch, in the Dead Sea Scrolls at Qumran.
The religious concept of the now conflated Lucifer/Satan in wider culture has undergone changes since the enlightenment period, with many people rejecting it outright, alongside God and all other things supernatural. Others have embraced the idea of Lucifer as a figure of knowledge and rebellion. In popular culture such as film and music, Lucifer has been portrayed variously as anything ranging from the typical adversary and embodiment of evil to a misunderstood, somewhat alluring demi-God figure.
What is far more interesting than dwelling on whether or not the literal, supernatural figures of Lucifer or Satan exist, to me at least, is examining the archetype which Lucifer represents. After all, in the case that he does exist, he would merely be an embodiment of the archetype, and in the case that he does not exist, there are still humans and perhaps aspects of ourselves which do embody the archetype. Either way, the archetype or idea of Lucifer is more significant than any particular embodiment of it, and is worth reflecting upon.
What can we say about Lucifer, as an archetype? As with understanding any archetype, we must derive its traits from its various embodiments or manifestations, which are the only ways in which we can know it.
One of the more benevolent versions is the Greek Titan, Prometheus, who stole fire from the Gods to give it to man. Prometheus was punished in the end by being tied to a stone and having his liver perpetually eaten by a bird. The myth of Icarus also comes to mind, who flew too close to the sun, only to fall into the sea. The Sumerian god Enki represents another similar figure, in his rebellion against the authority of his brother Enlil and the other gods. Enki helped to lift mankind up to a higher status, which resonates with the serpent in the Garden of Eden embodiment, as well. Furthermore, being condemned by an authority figure to be bound in darkness could also be said to be a key element.
As all archetypes represent some aspect of ourselves, what does Lucifer represent? It seems obvious that it is some type of shadow figure, as he represents something that is rejected by the highest authority, literally cast into the darkness; if we were to see such a thing in a dream, then the interpretation would be rather straightforward, something bright and brilliant, yet because of pride is rejected from consciousness, and hidden from the waking or collective self. As such, he represents an aspect of the self that is not endorsed by certain authorities.
What other qualities may be clues to Lucifer’s archetype? He is also typically depicted as highly intelligent, and even the source of knowledge, having convinced Eve to partake of the Tree of Knowledge, which falls more into alignment with his “light-bearer” aspect, as the etymology of the name indicates. Related to knowledge, he is also characterized by doubt, and even deception.
Finally, Lucifer can be related to the moral stance of relativism or nihilism, such as the idea that all that truly matters is freedom to “Do as thou wilt.” In other words, the world through the eyes of the Lucifer archetype, at least as its depicted in modern culture, is inherently meaningless and morally neutral. Therefore, the best qualities to have are intelligence and power, which grants the ability to influence the external world for various reasons. Any authority outside of the finite self, which might seek to mitigate the fulfillment of desires, is to be doubted or rebelled against.
